Aya Momose, known for her work which deals with the topics of voice and body, reopens ongoing questions from within her practice that concern the act of watching moving images, via moving images themselves. Her work exposes the moment of in which subjectivity can waver, and the reality of the uncertainty of our relationships with others. In her solo exhibition I.C.A.N.S.E.E.Y.O.U, her first in Tokyo in three years,the artist focuses on the aspect of video as an emotional apparatus. It presents video works that employ visual languages and gestures, such as a movement of the eyes, or sign language, to explore the relations that are constructed through gaze and the desires within oneself.